Who gets the idea to write “Nine unfinished symphonies” – one of them perhaps the shortest Symphony in music history? Or “1001 sonatas’ – each lasting about a minute but in total being one of the longest pieces ever written? Like a postmodern Erik Satie the Belgium composer Boudewijn Buckinx is using music history as a playing field. The classical music audience is irritated, the avant-gardist wrinkles his nose… “Daisies in a Meadow” – that’s how Buckinx described his “1001 Sonatas” for violin and piano, They play a leading role in our film, in the supporting roles the Spanish sun and the Belgian rain. The latter, however, did not show up at the set – just as you always have to be prepared for surprises with Boudewijn Buckinx. “Why is my music so simple? – Why is my music so complex?” With a wink, Buckinx gives various answers to these recurring questions. The portrait of an immensely productive artist who is radically taking his own path.