Situated in the vein of Rimbaud, Lautréamont, Dostoievski and Benjamin and of free jazz and punk, this film bears witness to the iniquitous policies that shape our era, the “infernal” nature of certain political lives or black bodies (those of immigrants, emigrants, workers, the unemployed, students…). It operates, as a minority film, in a critical stasis of mythical and mainstream realities, and deals with the issue of revolt and insurrection: excesses, disidentification, unclear reconfiguration… We are presented, through a dialectical reversal, “non-places” that cannot be assimilated, utopias, corps-impossibles